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www.amazon.2db.com.pl - Bagdad Cafe

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List Price: $14.95
Our Price: $24.99
Availability: N/A
Manufacturer: MGM (Video & DVD) Starring: Marianne Sägebrecht, CCH Pounder, Jack Palance, Christine Kaufmann, Monica Calhoun Directed By: Percy Adlon
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Average Customer Rating:     

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Audience Rating: PG (Parental Guidance Suggested) Binding: VHS Tape EAN: 9780792843832 Format: Closed-captioned ISBN: 0792843835 Label: MGM (Video & DVD) Manufacturer: MGM (Video & DVD) Number Of Items: 1 Publisher: MGM (Video & DVD) Release Date: 2000-03-07 Running Time: 95 Studio: MGM (Video & DVD) Theatrical Release Date: 1988-04-22
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Editorial Reviews:
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Jasmin (Marianne Sägebrecht), a German tourist, has just walked off from her husband at the side of the road in the middle of the Mojave Desert; Brenda (CCH Pounder) has just kicked her husband out of the roadside cafe-motel they operate. When Jasmin arrives at the cafe, the two begin developing a prickly but ultimately rewarding friendship. Many other movies have tried to duplicate Bagdad Cafe's mixture of loose storytelling, off-kilter metaphors, and rich emotions, but most often these imitators leave out the random chaos of life and the awkward pain of change that Bagdad Cafe captures with such a gentle touch. Bagdad Cafe earns both its quirkiness and its sentiment by keeping one foot firmly rooted in reality. Director Percy Adlon teamed with star Sägebrecht in two other similarly offbeat movies, Sugarbaby and Rosalie Goes Shopping; his more recent features without her haven't been as successful. Still, he continues to be noted for his odd but lively use of color filters and jagged editing. Bagdad Cafe also features the great Jack Palance (Shane, Requiem for a Heavyweight, City Slickers) playing an easy-going painter; the opportunity to be an ordinary person, rather than his usual wicked fiends, brings out a delightful mischief in Palance. Pounder, who usually gets small supporting parts, deserves another role like this to take advantage of her remarkable range. All in all, an eccentric and wonderful film. --Bret Fetzer
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Spotlight customer reviews:
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Customer Rating:      Summary: "Nothing's so tragic cause it's all about magic" Comment: Henry Jaglom's 1987 film (also known as OUT OF ROSENHEIM) is just about perfect, and is one of the most affecting films ever made about the forging of a deep friendship. When the fat and overdressed German tourist Jasmin Münchgstettner (the great Marianne Sägebracht) is mourned in the California desert by her traveling companion she seems to be almost entirely without resources to the eyes of Brenda (the equally great CCH Pounder), the suspicious and short-tempered truck stop owner who temporarily takes her in. But Jasmin has resources no one at the truck stop suspects, and soon she's setting to rights the truck stop itself as well as the entire community of misfits gathered around it--including Brenda and her dysfunctional clan. The film is as much as anything a tribute to trust and to hard work; the ending (which features a perfect little musical number) is one of the best of any independent films I can think of, and one of the most beautifully earned. The haunting Jevetta Steele song "Calling You," featured prominently on the soundtrack, exactly captures the film's sense of windswept longing in the most trying of environments.
Customer Rating:      Summary: A strange, perfect tale Comment: A zaftig German tourist has a major tiff with her boorish husband in the middle of the desert outside Las Vegas, yanks a suitcase out of the car and stomps off for points unknown. Her husband, perhaps to make a point, drives off without looking back.
Several hours later, the wife (Marianne Sagebrecht) arrives dusty and dishevelled at the only populated spot on the horizon, the run-down, lethargic Bagdad Oil and Gas and Cafe, run by a cranky woman named Brenda(the incomparable CCH Pounder). Brenda has just driven her husband away with her hystrionics, but her disposition seems earned; she is riding herd on a failing business, assisted only by a less-than-inspired cook, while trying to keep track of a free-spirit teenage daughter who cavalierly rides off with motorcyclists and truck drivers for days at a time. Brenda also is plagued by a son whose only interest in life is playing etudes and fugues on the piano; there is also the matter of his infant son, who is never explained (Brenda's son seems far too young to be responsible for an infant, but there it is, and no mother in sight). It all makes Brenda more than a little cranky. And when a strange, foreign lady in odd clothing appears at the door wanting a room at the adjoining motel, her patience is sorely tried.
The German tourist, Jasmin, comes to the Cafe because it is the only thing in sight. She asks for a room in the motel, while musing privately about the state of uncleanliness throughout the business, and views the other denizens of the motel with a guarded eye. Rudi Coxx (Jack Palance, in a stellar turn), an ex-set painter from Hollywood, dresses outlandishly and lives, apparently, in a small travel trailer on the property. Debby, who lives in the motel, carries on a highly successful ad hoc tattoo business; truck drivers literally launch themselves from their rigs and race to her room. (You might get the wrong idea of the nature of her work from their initial enthusiasm, but her calling is made clear very early on.)
Jasmin quietly makes herself indispensible to Brenda, after Brenda's initial suspicions; she is won over by Jasmin's gentle nature and willingness to aid Brenda in whatever way necessary. Jasmin wins the hearts of Brenda's teenage children also, and she quickly becomes part of the oddball family of misfits.
This movie is an unqualified joy. Nothing momentous happens here, unless you count Jasmin's unifying of the oddities into a working unit; it is simply a sweet, surreal two hours in which to lose oneself. All the acting is first-rate; Marianne Sagebrecht made a few appearances in American movies, probably on the strength of her role here, and does a fine job as the sweet but determined Jasmin. Jack Palance performs so admirably that he should have been nominated for Best Supporting, although the role was a blip on the radar amongst the big-budget movies of that year. And CCH Pounder transforms wonderfully from the frenetic, wired, bad-tempered harridan of the first fifteen minutes of the movie to the accepting and content cafe manager of later in the film.
I saw this movie a few years after it came out, and was instantly hooked. At some point I hope they come down a bit on the price, but at least it's finally in DVD; for a long time I could not find it in that format. It is well deserving of being on the shelf of any serious film buff; a gentle, honest treatment of the power of positive tninking and good will. Highly recommended.
Customer Rating:      Summary: Endearing, atmospheric film Comment: This is an offbeat, delightful film about the growth of affection and the overcoming of cultural barriers. The contrast of certain German (or perhaps more specifically, Bavarian) standards with American is a source of hilarity to the viewers that know both cultures, but everyone I've talked to agrees that the gradual rapprochement between all these quirky, essentially warmhearted characters is endearing. Yet it almost miraculously manages to avoid sentimentality and certainly avoids superficiality. The music of the soundtrack is also haunting. I would have given it 5 stars except that there is one scene with a musical number that seems unnecessary and drags down the flow of the story only at that point. But otherwise it's a thoroughly charming, atmospheric film that I absolutely love.
Customer Rating:      Summary: Bagdad Cafe a collectors classic Comment: So enjoyed having added this classic to my collection of fantasy fables.
It was hard to find and I was surprised at the price. After such a long
search, it was worth it. I guess I have joined a "classics cult". Charming, offbeat and watchable over and over.
Customer Rating:      Summary: Strange but good Comment: This movie was not one that I had ever heard of and I ordered it on a spur of the moment. I was not dissapointed.
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